Tex silverpoint finished

Finally finished the silverpoint drawing of Tex Lecor. There is a bit of bluish tint on the last part (lower). I am wondering if its the oxidation with the point or maybe the point is worn off and it coming in contact with a different kind of metal??

Workshop on Classical Portrait painting

Geest comparison - original vs copy

This is a side by side comparison and you can see that there is things quite off. DOH! Ok, not to be discouraged. The purpose of copying is to learn and in learning mistakes are made. The reference I have was a printed copy of the painting and here are some of things to fix. 

• overall color of the skin is much too yellow.
• lips are too red and saturated. (the hard copy ref was that color I swear! lol)
• Some shadow areas need to be punched up.
• frills or ruffles value need to be toned down and detail added.
• Hignlight on the nose needs to be toned down.
• transition tone between the left eyebrow and forehead.
• Hair details needs some tweaks.
• cast shadow under the nose.
• ears needs more modeling.

Sistine Chapel VR

This is really cool. Sistine chapel in VR!
http://www.vatican.va/various/cappelle/sistina_vr/index.html

Cornelis Van Der Geest - wip05

Here is an update. I completed the mouth/chin area and started on the frills. I tell you the frills are tough and time consuming. I just have to be a bit patient. :) I will complete the hair next.

Cornelis Van Der Geest - wip04 Color Correct

I noticed the color of the photo I took seems to be off. So I check it and YES it is off!

 Color corrected (above)- notice the skin color is more reddish than uncorrected one which is much more pale.

uncorrected

Cornelis Van der Geest - wip03

Continuing through the forehead...just slowly filling the empty spaces.

Cornelis Van der Geest - wip02

I painted in the dark background and started the 1st painting. I started with the left eye and went across to the right then the nose. Paint I use is very lean using only the oil in the paint and sometimes added to make the paint flow from the brush better. The colors I am using are Titanium white, yellow ochre, terra rosa, raw umber, burnt umber, ultramarine blue and lamp black. I try to stay with the earth colors since these were the colors available at that time. Cadmiums were not used or discovered yet.

Cornelis Van der Geest - wip01

I just transferred the drawing and dry brush the basic tone of the painting. I am using raw umber but I realise that Van Dyck might be using Burnt umber. Its because see some of the burnt umber showing through in the background. The support I am using is a gessoed (acrylic) wood panel.

Van Dyck's Portrait of Cornelis Van der Geest

This is a portrait of Cornelis Van der Geest by Anthony Van Dyck. Its one of my favorite portraits. I will attempt to copy this portrait since it will be the subject of a class I plan to teach. (Classical painting techniques on Portraits.) The course will cover the technique used by Van Dyck, the background and start to finish process. The size of the copy will be as close as the original painting about 13in x 15in.

By the Brook - after W.A.Bouguereau

Finally. This painting has been in storage at my brothers house for the last 10 years. I did this painting as a study. With digital photos and internet, I have resources to really great references and I think I will continue working on it. William Bouguerau is one of my favorite artists of all time. His attention to detail and color is just out of this world.